Much of Roman Signer’s work exists only as the trace of an action.

An object sinking into water, for example, or the splash that registers a fall. His materials – most notably water and sand – are ordinary, yet in the context of his performances they take on a life of their own, flowing and forming patterns in response to gravity.

At Munster in 1997 he created a Chaplinesque installation using only a water hose and a hollow walking stick. The stick hung from a wire over the lake and a jet of water was forced through its stem. The cane whipped about, creating arcs and spirals, as though wielded by an energetic phantom in a display of cinematic burlesque. Then again, it could simply have been a pragmatic fire safety demonstration, illustrating the importance of holding on to the end of the hose. The simplicity and charm of this piece is typical of Signer’s work.



Car
, 1999
Car and sand
Courtesy of the artist and Raum Aktueller Kunst, Vienna