Larry Achiampong lives and works in London, UK. Achiampong's solo and collaborative projects employ imagery, aural and visual archives, live performance and sound to explore ideas surrounding class, cross-cultural and post-digital identity.
2021 Biennial Year Find out more
Drawing on his Ghanaian roots, his works examine his communal and personal heritage – in particular, the intersection between the postcolonial position and pop culture. Through his performances, he investigates ‘the self’ as a fiction, devising alter-egos to point at divided selves. Recent exhibitions and commissions include Art on the Underground, UK (2019); Somerset House, UK (2019/2018); Diaspora Pavilion: 57th Venice Biennale, Italy (2017); and Tate Britain/Modern, UK (2013/2010).
Liverpool Biennial 2021
'Pan African Flags'
Larry Achiampong presented a series of eight different Pan African flags, exhibited across ten locations, on buildings and streets throughout Liverpool city centre. With some designs featuring 54 stars that represent the 54 countries of Africa, the flags evoke solidarity and collective empathy – while some of the locations speak to Liverpool’s connection with the enslavement of West Africans as part of the transatlantic slave trade. The colours of the flags reflect Pan African symbolism: green, black and red represent Africa’s land, people and the struggles the continent has endured respectively, while yellow-gold represents a new dawn and prosperity. Achiampong has configured these colours into icons that are suggestive of community, motion and the human figure in ascension.
For Liverpool Biennial
Larry Achiampong presented a series of eight different Pan African flags, exhibited across ten locations, on buildings and streets throughout Liverpool city centre. With some designs featuring 54 stars that represent the 54 countries of Africa, the flags evoke solidarity and collective empathy – while some of the locations speak to Liverpool’s connection with the enslavement of West Africans as part of the transatlantic slave trade. The colours of the flags reflect Pan African symbolism: green, black and red represent Africa’s land, people and the struggles the continent has endured respectively, while yellow-gold represents a new dawn and prosperity. Achiampong has configured these colours into icons that are suggestive of community, motion and the human figure in ascension. For Liverpool Biennial 2021, four of the artist’s flags from his original series were shown – Ascension, Community, Motion and Squadron – as well as four new flag designs that generate new symbolic constitutions; What I hear I Keep – related to the act of sending and receiving messages that resonate. Supported by The African Arts Trust. ‘What I Hear I Keep’ was commissioned by De La Warr Pavilion.
'Pan African Flags'
Dualities – related to the connection between those born within the African continent and those of the African Diaspora.
Bringers of Life – related to the eternal reverence of the elements that bring and fortify life.
Mothership – in praise, honour and respect of the centre of community; Black Womxn.
Liquid Club #14: Larry Achiampong’s videogame_mixtape_
We joined artist Larry Achiampong live and in conversation with Wumi Olaosebikan for a one-off listening party of the next videogame_mixtape_. The videogame_mixtape_ is an ongoing audio-based, research-driven project by artist Larry Achiampong. Created with the purpose of exploring the heritage and evolution of music and audio in gaming, this endeavour opens up Achiampong’s interest in this cultural phenomenon through gestures of play and sharing.
Achiampong says of the work “I’m… approaching this research in a way that doesn’t require anyone to have knowledge on the history of gaming – the mixes will be designed for people to enjoy as if they were listening to any other mixtape. With that in mind there will be a range of vibes to explore – from the cinematic, to popular cuts and hidden gems to the downright quirky.
Listen to the accompanying mixtape below
We hosted Larry Achiampong in conversation with Wumi Olaosebikan for a one-off listening party of the next videogame_mixtape_. The videogame_mixtape_ is an ongoing audio-based, research-driven project by artist Larry Achiampong. Created with the purpose of exploring the heritage and evolution of music and audio in gaming, this endeavour opens up Achiampong’s interest in this cultural phenomenon through gestures of play and sharing.
Achiampong says of the work “I’m… approaching this research in a way that doesn’t require anyone to have knowledge on the history of gaming – the mixes will be designed for people to enjoy as if they were listening to any other mixtape. With that in mind there will be a range of vibes to explore – from the cinematic, to popular cuts and hidden gems to the downright quirky.”
About the artist
Larry Achiampong’s (b. 1984, London) solo and collaborative projects employ imagery, aural and visual archives, live performance and sound to explore ideas surrounding class, cross-cultural and post-digital identity. Drawing on his Ghanaian roots, his works examine his communal and personal heritage – in particular, the intersection between the postcolonial position and pop culture. As part of the Liverpool Biennial 2021, his series Pan African Flags For the Relic Travellers’ Alliance forms part of Relic Traveller will be displayed across ten sites within the city centre from the 20 March.
The videogame_mixtape_ project is supported by Heart of Glass, you can find out more about Larry’s long-term work with communities in Liverpool on their website: heartofglass.org.uk/about/collaborators/larry-achiampong