Charmaine Watkiss, completed her MA in Drawing at Wimbledon College of Art, 2018. Her work is concerned with what she calls ‘memory stories’.
2023 Biennial Year Find out more
She creates narratives primarily through research connected to the African Caribbean diaspora, which is then mapped onto female figures. She draws herself as a conduit to relay stories which speak about a collective experience; starting with an idea, then allowing intuition and a dialogue with the work to take over. Her practice addresses themes including, ritual, tradition, ancestry, mythology and cosmology. Since her first gallery solo show The Seed Keepers in 2021 with Tiwani Contemporary; Charmaine has been investigating the herbal healing traditions of Caribbean women, especially those of her mother’s generation, and connecting those traditions through colonisation back to their roots in Africa. Her recent 6 week residency in Charente south west France at Launchpad LAB; enabled her to explore nature and ecology in a more focussed way and to combine drawing with making sculptural forms.
Her recent exhibitions include: The Wisdom Tree, her first institutional solo show at Leeds Art Gallery; Drawing attention: emerging British artists group show at the British Museum; and Breakfast Under the Tree, curated by Russell Tovey, a group show at Carl Freedman Gallery. Her work is held in private and public collections including: The British Museum, London UK; The Government Art Collection, London UK; Cartwright Hall Museum, Bradford UK; Abbott Hall Museum, Kendall UK and Nasher Museum at Duke University, Durham NC USA.
Liverpool Biennial 2023
'Witness' (2023)
‘Witness’ is a ‘memory story’ told through the eyes of two spirit deities who share tales of great courage in the face of adversity. The illustrated figures are symbols of collection and reflection, representing the unheard voices and stories which survived the Middle Passage (the forced voyage of enslaved people across the Atlantic). They invite us to contemplate, reflect and gather our energy for the journey towards healing.
‘The Water Goddess – Ode to the Land of Wood and Water’ (2023) rises from the depths of the ocean, tracing the linage of water. Mapping the stories of Liverpool, she tells the tales of those captured and enslaved throughout trade histories.
‘The Earth Goddess – Oracle of Our Forebears’ (2023) is connected to land, the
‘Witness’ is a ‘memory story’ told through the eyes of two spirit deities who share tales of great courage in the face of adversity. The illustrated figures are symbols of collection and reflection, representing the unheard voices and stories which survived the Middle Passage (the forced voyage of enslaved people across the Atlantic). They invite us to contemplate, reflect and gather our energy for the journey towards healing. ‘The Water Goddess – Ode to the Land of Wood and Water’ (2023) rises from the depths of the ocean, tracing the linage of water. Mapping the stories of Liverpool, she tells the tales of those captured and enslaved throughout trade histories. ‘The Earth Goddess – Oracle of Our Forebears’ (2023) is connected to land, the cosmos, and sacred knowledge, representing the wisdom and culture which survived the transatlantic crossing. An Osanyin staff is placed amongst the foliage that surrounds her, honouring the Orisha Osanyin, the Yoruba spirit of herbal medicine. ‘The Return’ (2018) features as a sacred memorial to the Black Atlantic crossings and as a reference to ancient burial rites connected to Africa and the Caribbean. The spirit deities and The Return are surrounded by mudlark finds that serve as a reminder of the trade in Tobacco and its production on the plantations in the Caribbean and across the Americas. Commissioned by Liverpool Biennial. Showing at Victoria Gallery & Museum
'Witness' (2023)
Showing at Victoria Gallery & Museum
Tuesday–Saturday 10:00am–5:00pm