Ai Weiwei
Artist, architect, curator and prolific blogger, Ai Weiwei’s practise defies easy categorisation, except perhaps for a recurring delight in play and provocation. Ai often draws on the materials of the past for his work, transforming them through assembly, remoulding, or sheer destruction, into present day commentary.
The spider is one of nature’s architects, whose ability to weave his silken web provides the means for his survival. For MADE UP, Ai Weiwei takes this symbol of creativity, and enlarges it to gigantic proportions, spinning a web of light across the entirety of Liverpool’s Exchange Flags. At the heart of this intricate steel construction is a crystal studded spider, while LED lights strung along the cables allow us to enjoy a paradoxical night-time image of dew glistening in the sun.
Ai has looked to nature for inspiration on previous architectural projects, most notably as Herzog and de Meuron’s collaborator on Beijing’s ‘Bird’s Nest’ Olympic Stadium. But Ai is not so much interested in plays on the natural, more in taking objects and, through a simple intervention (in this case a shift in scale), transforming the familiar into something new and extraordinary, with the result that the idea or image becomes all the more real by virtue of its unreality.
Ai has looked to nature for inspiration on previous architectural projects, most notably as Herzog and de Meuron’s collaborator on Beijing’s ‘Bird’s Nest’ Olympic Stadium. But Ai is not so much interested in plays on the natural, more in taking objects and, through a simple intervention (in this case a shift in scale), transforming the familiar into something new and extraordinary, with the result that the idea or image becomes all the more real by virtue of its unreality.
